Tom Rush

Now celebrating five decades of touring, Tom has been thrilling audiences here and abroad with hits like No Regrets, Circle Game, Remember Song, Urge for Going and Merrimack County.

Tom Rush’s impact on the American music scene has been profound. He helped shape the folk revival in the ’60s, the folk-rock movement of the ‘70s, and then the renaissance of the ’80s and ’90s, his music having left its stamp on generations of artists. James Taylor, Emmylou Harris, Tom Petty and Garth Brooks have cited Tom a major influence. His early recordings introduced the world to the work of Joni Mitchell, Jackson Browne and James Taylor. Subsequently, his Club 47 concerts brought national attention to emerging artists such as Nanci Griffith and Shawn Colvin.

Representation and Touring Formats

Representation: Exclusive – North America
Touring Formats:  Solo or Duo

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Tom Rush is a gifted musician and performer, whose shows offer a musical celebration…a journey into the tradition and spectrum of what music has been, can be, and will become. His distinctive guitar style, wry humor and warm, expressive voice have made him both a legend and a lure to audiences around the world. His shows are filled with the rib-aching laughter of terrific story-telling, the sweet melancholy of ballads and the passion of gritty blues

Rush’s impact on the American music scene has been profound. He helped shape the folk revival in the ’60s and the renaissance of the ’80s and ’90s, his music having left its stamp on generations of artists. James Taylor told Rolling Stone, “Tom was not only one of my early heroes, but also one of my main influences.” Country music star Garth Brooks has credited Rush with being one of his top five musical influences. Rush has long championed emerging artists. His early recordings introduced the world to the work of Joni Mitchell, Jackson Browne and James Taylor, and in more recent years his Club 47 concerts have brought artists such as Nanci Griffith and Shawn Colvin to wider audiences when they were just beginning to build their own reputations.

Tom Rush began his musical career in the early ’60s playing the Boston-area clubs while a Harvard student. The Club 47 was the flagship of the coffee house fleet, and he was soon holding down a weekly spot there, learning from the legendary artists who came to play, honing his skills and growing into his talent. He had released two albums by the time he graduated.

Rush displayed then, as he does today, an uncanny knack for finding wonderful songs, and writing his own – many of which have become classics re-interpreted by new generations.
(It is testimony to the universality of his appeal that his songs have been folk hits, country hits, heavy metal and rap hits.) Signed by Elektra in 1965, Rush made three albums for them, culminating in The Circle Game, which, according to Rolling Stone, ushered in the singer/songwriter era.

In the early ’70s, folk turned to folk-rock, and Rush, ever adaptable, saw more room to stretch out. Recording now for Columbia, he toured tirelessly with a five man band, playing concerts across the country. Endless promotional tours, interviews, television appearances, and recording sessions added up to five very successful but exhausting years, after which Tom decided to take a break and “recharge” his creative side at his New Hampshire farm.

Rush returned with a splash in 1981, selling out Boston’s prestigious Symphony Hall in advance. Time off had not only rekindled Rush’s love of music, it had re-ignited music audiences’ love of Rush.

He instinctively knew that his listeners were interested in both the old and the new, and set out to create a musical forum like the Club 47 of the early sixties to allow artists and newcomers to share the same stage. In 1982, he tried it out at Symphony Hall. The show was such a hit it became an annual event, growing to fill two, then three nights, and the Club 47 series was born. Crafting concerts that combined well known artists such as Bonnie Raitt or Emmylou Harris with (then) unknowns like Alison Krauss or Mark O’ Connor, Rush took the show on the road. From the ’80s to the present day, Club 47 events have filled the nation’s finest halls to rave reviews, and have been broadcast as national specials on PBS and NPR.

In 1999, Columbia/Legacy released a Tom Rush retrospective album that covers his recorded musical history from 1962 to the present, including tracks recorded for Columbia, Elektra, Prestige and his independent years. Entitled “The Very Best of Tom Rush: No Regrets”, the 17-track compilation includes as a bonus a brand new Tom Rush composition, “River Song,” which features vocal contributions from Grammy winners Shawn Colvin and Marc Cohn.

A live CD, “Trolling for Owls” released in 2003 and published by Tom’s NIGHTLIGHT RECORDINGS, captures Tom’s complete performance and includes, for the first time, some of the spoken stories that have endeared him to audiences.

“How I Play (some of) My Favorite Songs”, a DVD released in 2005 by Homespun Tapes. It shows how he plays ten of the memorable songs and guitar arrangements that have long made him one of America’s most beloved performers.

In 2009, Tom recorded his first studio CD in 35 years. Recorded in Nashville, “What I Know” was produced by Tom’s long-time friend Jim Rooney and includes original Tom Rush material, as well as harmonies by Emmylou Harris, Bonnie Bramlett and Nanci Griffith.

Today, Tom Rush lives in New Hampshire when he’s not touring. His voice has grown even richer and more melodic with training, and his music, like a fine wine, has matured and ripened in the blending of traditional and modern influences. He’s doing what he loves, and what audiences love him for: writing and playing …passionately, tenderly…knitting together the musical traditions and talents of our times 

“My husband … didn’t give me a great deal of encouragement regarding my writing. But Tom Rush did. Tom would say, “Do you have any new songs?” I’d play him a batch and he’d say, “Any more?” I always held the ones out that I felt were too sensitive, or too feminine, and those would always be the ones he chose. Because of Tom, I began to get noticed.”

– Joni Mitchell

 

Tom Rush Makes Triumphant Return To Hugh’s Room

Don Graham, Cashbox Magazine

Gordon Lightfoot called Tom Rush the best live solo act he’s ever seen and on Saturday night Tom Rush validated Gord’s assertion.

No stranger to the Toronto music scene, Tom performed at the legendary Riverboat at the height of the folk revival, the original Hugh’s Room and most recently opening for Gordon Lightfoot at his two last performances at the renovated Massey Hall. But this was Tom‘s first performance at the brand new location of Hugh’s Room Live. And what a beautiful venue it is. Great sound, great sightlines, and a perfect listening room.

This was Saturday night, the second night of a two night stand, and there wasn’t a seat to be had. The moment Tom stepped on the stage a hush fell over the room and all eyes and ears were on the performer. And what a performance it was. The adoring crowd hung on every word. It was a wonderful mixture of love and respect for Tom and he returned the love and respect in equal measure. His easy delivery, warm, smooth vocal style wrapped the room in a warm coat and the well paced show rolled along with the time flying by.

Tom started the evening with a great Dick Feller song, “Making The Best Of A Bad Situation’ on his big Guild 12 string from his Trolling For Owls album. This set the tone for the evening and Tom engaged the crowd with his unique blend of stories and songs.

Tom told of a young and as of yet unknown songwriter named Joni Mitchell coming to his show in Detroit and playing him brand new songs and he was so impressed he became the first to record anything of hers. During the course of the two set night he played two of Joni’s songs “The Circle Game” and “The Urge For Going.” He talked of the great talent in Canada and played Canadian David Wiffen’s “Driving Wheel’ and he played the songs he’s well known for; “Drop Down Mama” and his viral YouTube hit, “The Remember Song.”

read more….

 

Simple Songs of Freedom: Acoustic Sunday Live brings Tom Rush and others to help Protect Our Aquifer

Alex Green, Memphis Flyer

In these fraught days of authoritarianism and climate change, when our fate depends more than ever on local community action, music continues to seal the bonds between those fighting the good fight. It’s an age-old function of song, for songs are both rousing and inherently inclusive, spreading equally to all eardrums in the vicinity. America has a tradition of protest and organizing songs going back more than a century, from Joe Hill and the Wobblies, to singing through megaphones at Occupy Wall Street, to today’s pop songs at political rallies or in countless poetry-song slams across the land.

It was no accident, then, that Bruce and Barbara Newman’s mutual love of folk music and the blues led them to create a concert series celebrating both music and community action simultaneously. And, appropriately enough, it started back in the ’90s with the music of Woody Guthrie. “My law practice was starting to represent folk musicians like Tom Paxton and Dave Van Ronk, a whole bunch of them,” says Bruce Newman. “So we started calling on these people to play music concerts, each one for different charitable beneficiaries. The first one we did was a tribute to Woody Guthrie, and we had Odetta, Oscar Brand, Richie Havens, Ramblin’ Jack Elliott, Tom Paxton, and Josh White Jr. on that first bill. And the second one had Tom Paxton and Oscar Brand again, plus Melanie, Roger McGuinn, and Tom Rush.”

Those early concerts became Acoustic Sunday Live, an annual tradition unlike any other in Memphis, now in its third decade. And that last headliner from the early days — veteran singer-songwriter Tom Rush — is significant because he hasn’t been back since then. But it wasn’t for lack of trying.

“I consider Tom Rush a friend,” says Newman. “I see him at Folk Alliance [International] every year. And I bugged him for 20 years, ‘Tom, when are you coming back?’ Well, he always had a conflict the first week in December, right when we always have our concert. But this past summer he said, ‘Bruce, if you move it one week, I’m coming down. It’s a good cause. It’s important.’ And that’s what we did.”

read more…

 

Tom Rush W/Matt Nakoa At Caffè Lena

Caffè Lena has been a continuously operating folk coffee house since 1960 and Tom Rush has been a continuously performing folk musician for just about as long. That certainly made Rush, who released his first album in 1962 and recorded for Prestige, Elektra, and Columbia records in the 60s and 70s, a perfect selection for Caffè Lena’s Folk Heritage Series which brought the New England troubadour to the stage for two shows on Friday, May 31.

In the early bird set, which kicked off just after 5 pm to the delight of the mostly-baby boomer crowd, Rush performed a tight 70 minute set that showcased his wide-ranging skills as a songwriter, storyteller, bluesman, interpreter, and champion of other songwriters from his generation.

After the packed house welcomed Rush to the stage, he joked that he was in the sixty-third year of his farewell tour and kicked into “Making the Best of a Bad Situation” a talking blues that featured a number of narrative follies and established the lighthearted and humorous nature that continued throughout the set. (click here to read more)



“Tom Rush tonight at the Portsmouth Music Hall is still as great as ever. Voice is still gorgeous, humor is just as witty, and that is AFTER his bout with COVID 19! Matt Nakoa is amazing on the piano and his voice is the perfect complement to Toms. Special Kudos to the Music Hall for making sure we were all socially distant.  I felt very safe and cared for. And what a joy it was to hear live music again!”  — Katie Paine, Portsmouth Music Hall

“Tom Rush “has made his reputation as a soft-spoken, powerful interpreter of traditional songs.” –The New York Times
“Never miss a chance to see Tom Rush live  he’s got that rare one-of-a-kind quality that makes you realize you’ve seen somebody who really matters.” — Exclaim Magazine, Toronto Canada

Date

Venue/Lineup

Location

5/30/2025The Katharine Hepburn Cultural Arts Center
"An Evening with Tom Rush (100%) accompanied by Matt Nakoa" (70%).
Old Saybrook, CT
5/31/2025Emelin Theatre
Mamaroneck, NY
6/01/2025Jane Pickens Theatre
Newport, RI
6/07/2025Barnstormer's Theatre
Tamworth, NH
7/11/2025Jonathan's
Ogunquit, ME
7/19/2025Old Town School of Folk Music
Chicago, IL
7/22/2025Musical Instrument Museum
Phoenix, AZ
7/26/2025Workhouse Arts Center at Lorton
Lorton, VA
8/01/2025Stone Mountain Arts Center
Brownfield, ME
8/02/2025Boothbay Harbor Opera House
Boothbay Harbor, ME
8/07/2025 - 8/08/2025Shalin Liu Performance Center
Rockport, MA
8/13/2025Clayton Opera House
"An Evening with Tom Rush (100%) accompanied by Matt Nakoa" (70%)
Clayton, NY
8/14/2025Earlville Opera House
Earlville, NY
8/15/2025Sellersville Theater
Sellersville, PA
8/16/2025Guthrie Center
Great Barrington, MA
8/30/2025Sakonnet Vineyard
Little Compton, RI
9/13/2025Private Event - Manchester CT
Manchester, CT
10/17/2025Towne Crier Cafe
Beacon, NY
10/18/2025Eighth Step at Proctors
Tom Rush will be solo of duo tba (this needs to be on the contract.... Margie agreed that Tom can perform solo if need be)
Schenectady, Ny
12/06/2025Bombyx
Northampton, MA
12/08/2025 - 12/10/2025Cotuit Center for the Arts
Cotuit, MA
1/09/2026 - 1/10/2026Firehouse Center for the Arts
Newburyport, MA