The Foreign Landers
“…immediately landed a huge smile on my face and for a moment allowed escape from all the negative noise in the world.” Sierra Hull
“Beautiful would almost be an understatement.” The Aquarian.
The Foreign Landers, led by vocalist and banjoist Tabitha Agnew Benedict of Northern Ireland and mandolinist David Benedict of South Carolina, carve out a distinct place in contemporary acoustic music. Their songs pay close attention to ordinary moments, shaped by the belief that grace often shows up in these places. Rooted in bluegrass and Celtic tradition, the band blends acoustic drive with reflective songwriting and close harmony singing shaped by lives lived across borders.
Representation and Touring Formats
Representation: Exclusive – North America
Touring Formats: Quartet
Educational: Residencies, workshops & school events
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“One listen to the lilting vocals, truthful narrative, and welcoming musicality and you will understand,” writes The Aquarian. “Beautiful would almost be an understatement.” That sense of invitation sits at the heart of The Foreign Landers’ music. Their songs pay close attention to ordinary moments, shaped by
the belief that grace often shows up in these places. Rooted in bluegrass and Celtic tradition, the band blends acoustic drive with reflective songwriting and close harmony singing shaped by lives lived across borders.
Rooted in bluegrass and Celtic tradition, the band creates their own sound with reflective songwriting and enchanting singing shaped by lives lived across borders. Led by vocalist and banjoist Tabitha Agnew Benedict of Northern Ireland and mandolinist David Benedict of South Carolina, The Foreign Landers have built a reputation for music that feels deeply personal. Their work grows out of shared experience, shaped by distance, home, and the steady work of learning how to live faithfully in changing seasons. With the release of their sophomore album Made to Wonder on January 23, 2026, the band offers their most compelling and cohesive statement to date.
Following their debut album Travelers Rest, which chronicled the challenges of immigration and building a shared life in the United States, Made to Wonder turns toward the next chapter. Written during the transition into parenthood, the album reflects on time, impermanence, and the fragile beauty of everyday life. These songs dwell in moments that might otherwise slip by unnoticed: a quiet morning, laughter around a campfire, the weight of a sleeping child. They also name the ache that comes from knowing how quickly such moments pass.
But running beneath the album is a steady current of faith. Rather than offering declarations or easy answers, the songs hold prayers, questions, and moments of trust shaped by belief in grace freely given and hope that endures beyond circumstances. Wonder, as the title suggests, is not treated as something to be chased, but as something received. The songs invite listeners to slow down, pay attention, and rest in gratitude.
Now joined by longtime bandmates Julian Pinelli on fiddle and Nate Sabat on bass, The Foreign Landers step fully into their identity as a quartet on Made to Wonder. The expanded lineup deepens the band’s transatlantic sound, weaving bluegrass foundations with Celtic color and modern acoustic textures. Guest contributions from Kris Drever of Lau, Brian Finnegan of Flook, Tristan Clarridge of Crooked Still, and Nick Cooke of the Kate Rusby Band add subtle layers while keeping the focus firmly on the songs themselves.
Individually, the members of The Foreign Landers bring decades of experience in the international acoustic music world. Both Tabitha and David are recipients of IBMA Momentum Instrumentalist of the Year awards, and each has performed and recorded with award winning artists on both sides of the Atlantic. Together, their playing favors clarity, sensitivity, and deep listening over excess. Sierra Hull says, “Hearing The Foreign Landers for the first time immediately landed a huge smile on my face. The playing, singing, and arrangements are all so wonderful.”
With thoughtful songwriting, interwoven harmonies, and a sound shaped by faith, family, and tradition, The Foreign Landers continue to carve out a distinct place within contemporary acoustic music. As Grammy winner Sarah Jarosz notes, “They tastefully honor the past while simultaneously making the music all their own.”
“There are sweet harmonies, gorgeous melodies and fine musicianship to absorb… The Transatlantic duo benefit from the bluegrass of South Carolina’s David Benedict and the love of traditional folk that comes from Northern Ireland’s Tabitha Agnew. Just as they have found love with one another from across the world, so these two musical genres have been blended to create something fresh.” — Americana UK
“Hearing The Foreign Landers for the first time immediately landed a huge smile on my face and for a moment allowed escape from all the negative noise in the world. Tabitha and David simply sound like two people who are meant to make music together. The playing, singing, and arrangements are all so wonderful—I’m a fan!” — Sierra Hull
“The Foreign Landers possess a sonic directness within their music that’s a refreshing gift to any listener. Tabitha’s and David’s impressive playing and singing blends seamlessly together to create a unified, full sound. The final product is moving and pure, and it’s a pleasure to hear the way they tastefully honor the past while simultaneously making the music all their own. I’m excited to hear more!” — Sarah Jarosz
“These two get it, they feel it, and they showcase it here. The Foreign Landers is a duo, a couple of creatives literally and figuratively, but the way they blend themselves, their skills. and their ideals… it showcases that, in terms of their artistic souls, they are one.” — The Aquarian
“…be forewarned… The Foreign Landers have arrived. Listening to their music is like reuniting with an old friend. So, open up your door, welcome them in and put their music on. You will be glad you did.” — Bluegrass Unlimited
“…an IBMA (International Bluegrass Music Association) match made in heaven.” — The Bluegrass Standar
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