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Molly Tuttle |
A virtuoso multi-instrumentalist and award winning songwriter with a distinctive voice, Molly Tuttle has turned the heads of even the most seasoned industry professionals. Her lovely voice, impeccable guitar playing, and sensitive song writing make her a star on the rise. Molly has appeared on A Prairie Home Companion, Hardly Strictly Bluegrass, was featured on the cover of Flatpicking Guitar Magazine, and won first place in the prestigious Chris Austin Songwriting Competition at Merlefest.
"....Molly Tuttle....sings with the gentle authority of Gillian Welch, yet plays astoundingly fleet flat-picking guitar like Chet Atkins on superdrive. -Paul Zollo, American Songwriter Magazine

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Molly Tuttle One Sheet | Download

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Molly Tuttle Press Kit 2018 | Download

You Didn't Call My Name

Molly Tuttle "Moonshiner" | Concerts from Blue Rock LIVE

Molly Tuttle Band - "Rain and Snow" - Radio Bristol Sessions

Molly Tuttle - Save This Heart (OFFICIAL VIDEO)

Good Enough Official Video

Molly Tuttle Band, White Freight Liner Blues

Molly Tuttle Band, You Didn't Call My Name

Molly Tuttle Band, Girl in my Shoes

Molly Tuttle Clawhammer Guitar Little Sadie

White Freightliner Blues

Martin D-18 Demonstration by Molly Tuttle | "Devil on my mind"

Save This Heart

An award-winning virtuoso multi-instrumentalist and songwriter with a distinctive voice, Molly Tuttle has turned the heads of even the most seasoned industry professionals. Since her performing debut at age 11, she has been featured on the cover of Acoustic Guitar Magazine (April 2017, February 2018) and Flatpicking Guitar Magazine, and graduated from the Berklee College of Music, which she attended on a Hazel Dickens Memorial Scholarship.

Her lovely voice, impeccable and fiery guitar playing, and sensitive song writing make Molly Tuttle a star on the rise. She has toured extensively and has been featured on many prominent festivals including Rocky Grass Festival, Wintergrass Festival, and many others, and received a 2016 IBMA Momentum Award as Instrumentalist, singling her out as one to watch in the genre. 2017 has seen even more growth, with the release of Tuttle’s solo debut EP, Rise, debuting at #2 on the Billboard Bluegrass chart and garnering prominent features for Tuttle in Premier Guitar Magazine, Guitar Player Magazine, and NPR Music. In September 2017, Tuttle was recognized as the 2017 Guitar Player of the Year by the International Bluegrass Music Association (IBMA), becoming the first woman to receive this honor in the history of the organization. In February 2018, Tuttle’s song “You Didn’t Call My Name” was awarded Song of the Year at the International Folk Music Awards by Folk Alliance International.

 

Year in Review: Favorite musical picks for 2017

And now, in no particular order, here’s my picks for the best listens of 2017. Enjoy! Read more...

Molly Tuttle — Named the International Bluegrass Music Association’s Guitar Player of the Year in October, Molly Tuttle is the first woman to win this coveted award. She released her EP, “Rise” in June. Give it a listen and you’ll learn why she won.

Lisa Snedeker, Contributor

Molly Tuttle's 'Rise' debuts at #2 on Billboards Bluegrass Albums Chart

FOR IMMEDIATE RELEASE:
 
Media contact:
Maria Ivey
(615) 306-0737
 
Molly Tuttle's Rise  Debuts at #2 on Billboard's Bluegrass Albums Chart
 
Nashville, TN -- June 15, 2017 -- Award-winning songwriter and virtuoso instrumentalist Molly Tuttle  turns a new corner with Rise , her debut as a solo artist, which hit #2 on Billboard's Bluegrass Albums chart this week. Produced by Kai Welch , the seven-song EP was independently released on June 2nd, and celebrated with a sold-out release show at Nashville's Station Inn on June 3rd. 
 
Already a familiar face in bluegrass circles and folk festivals, where she's been performing since the age of eleven, Tuttle widens her reach with Rise. "I wanted to push outside the box," she says of the EP, whose songs mix the fiery fretwork of her acoustic guitar with banjo, fiddle, drums, pump organ, electric guitar, and other flourishes. "It was a good step to finding my own sound, and not staying tied to the traditional bluegrass sound. I grew up playing bluegrass and I still love it, but I'm influenced by other styles of music, too. I really wanted to create something original."
 
Written during a period of intense change that found Tuttle moving from California to Boston to Nashville, Rise covers a wide swath of ground, showing the full range of its maker's abilities. She writes every song here, singing them in a voice that's both pure and pointed. On an album that also features appearances by several all-stars of the roots music world - including  Kathy Kallick, Darrell Scott, The Milk Carton Kids and Sarah Jarosz's longtime cellist, Nathaniel Smith - it's the 24 year-old Tuttle who shines the brightest.
 
"I've always listened to a lot of songwriters who don't feel the need to stick to any one genre," she explains. "Hazel Dickens was one of my first influences. She was part of the bluegrass family, but her songs stood out and just sounded like her. Growing up in the Bay Area, Laurie Lewis was another inspiration. She's a great songwriter and a fantastic instrumentalist. Gillian Welch and Dave Rawlings were huge influence,  and I listened to them obsessively when I was starting to write songs." Tuttle also lists Bob Dylan, Joni Mitchell, and The Smiths as additional influences, pointing to a record collection that's just as diverse as her own music. 
 
"Save This Heart" 
 
With Rise, Molly Tuttle cements her place in the roots-music community. Recorded in engineer Erick Jaskowiack's studio outside of Nashville, the record is a tribute not only to her instrumental, vocal and songwriting chops, but her storytelling ability, too. Tuttle has never defined her ambitions so clearly, and with Rise, she's moving upward. 
 
"I took the title from a line in Walden from Thoreau, where he compares the human spirit to water," she says of the EP. "He writes, 'The life in us is like the water in the river. It may rise this year higher than man has ever known it.' That feels really relevant to me. It describes how I'm feeling with my music, and where I'm at with creating my own sound, and where we're at in the world right now. I knew it needed to be the title of the record."
 
"Good Enough"
 
This summer, Tuttle will hit the road in support of Rise with stops at key festivals including Middlebury Festival On The Green, Grey Fox, Red Wing Roots, Sugar Maple Festival, Grand Targhee, Mountain Song, and more. 
 
For more information, please visit https://www.mollytuttlemusic.com/. For review copies, please reply to this email. 
 
Molly on the cover of Acoustic Guitar 
Molly x NPR
 
On tour
July 12 - Middlebury Festival On The Green - Middlebury, VT
July 14 - Grey Fox Bluegrass Festival - Oak Hill, NY
July 16 - Red Wing Roots Music Festival - Mount Solon, VA
Aug. 5 - Sugar Maple Festival - Madison, WI
Aug. 12 - Grand Targhee Bluegrass Festival - Alta, WY
Aug. 16 - West Whately Chapel - West Whately, MA
Aug. 18 - Rockwood Music Hall - New York, NY
Aug. 19 - Long Island Bluegrass Festival - Copiague, NY
Sept. 7 - Theatre On The Green - Cheraw, SC
Sept. 8 - Motorco Music Hall - Durham, NC
Sept. 9 - Mountain Song Festival - Brevard, NC
Sept. 22 - Watermelon Park Festival - Berryville, VA
Sept. 24 - Amesbury Music Festival - Amesbury, MA
Oct. 19 - Wimberley, TX - Blue Rock Studios
Oct. 21 - Blooming Bluegrass Festival - Farmers Branch, TX
Nov. 3 - Stoughton Opera House - Stoughton, WI 
Nov. 16 - Fingerlakes Live - Geneva, NY 
Nov. 17 - Hudson Valley Bluegrass Assoc. - Poughkeepsie, NY
Nov. 18 - Fire In The Kitchen Concert Series - Madison, CT
 
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Press Release

Watch Out for Molly Tuttle's Rapid "Rise"

San Francisco bluegrass? Yes, and, too, the voice of an Appalachian spring and a young woman pickin’ like a Stanley brother. Coming out of a Stanley-like family of acoustic wizards, Molly Tuttle has distinguished herself to the point of gracing beautifully the cover of Acoustic Guitar, a somewhat rare gender occasion there. Her new EP album “Rise” has now arrived, dripping with this irony and accomplishment.

You may have heard the lovely “Save this Heart,” a tune that’s gotten some play and has staying power. It remains in my consciousness like I’ve known it forever. The young lady has a way of writing songs that are deceptively simple yet musically deep and with provocative picking. About half of this short album are love songs.

She seems chased by a broken heart wanting to linger. But, she writes about it well, again, simply, but with grit, with, as she says here, an edge of poison in that sugar. The rhymes are neat and nicely placed, the stanzas succinct and rhythmically tight.

your letters get longer/the days get shorter/I call across the border/it’s static on the line/save this heart of mine/darling don’t forsake my hand/I swear the light is not too far/think I finally understand/what you’ve seen clearly from the start/do you feel me in your blood/am I the poison in your veins/deep down I’ve known you were the one/is it too little too late


Read more...
Ron Wray

Molly Tuttle Plots Debut Solo EP Rise

Nashville-based songwriter and multi-instrmentalist Molly Tuttle is already well regarded throughout the roots and bluegrass communities, despite not yet having released a solo collection to her name. That’s all about to change, though, as Tuttle prepares to release Rise, a seven-song EP slated for June 2.

Produced by Kai Welch, Rise features a number of Tuttle’s friends and contemporaries, including Darrell Scott, the Milk Carton Kids, and cellist Nathaniel Smith. On new track “Save This Heart,” Tuttle finds herself joined by songwriter and multi-instrumentalist Scott, who lends scorching pedal steel licks to the sweetly dark tune.

“It was a truly inspiring experience to have Darrell Scott come and play lap steel on this one,” Tuttle says. “His musical sense is so deep and intuitive. He immediately knew what the song needed, and we didn’t want to stop tracking because he kept surprising us with new ideas.”

Read more...

Brittney McKenna

Next-Gen Pickers: 6 Rising Stars are Carrying on the Bluegrass Tradition by Making It Their Own

Bluegrass was all in the family for Molly Tuttle, whose father, Jack Tuttle, has taught aspiring pickers and fiddlers at the Northern California acoustic music mecca, Gryphon Stringed Instruments, since 1979. “I always wanted to be able to play like my dad,” she recalls. “He would play Western swing songs and bluegrass standards like ‘Sitting on Top of the World.’” Molly picked up the guitar at age eight, and at 11 started gigging with her siblings and dad as the Tuttles.

As a teenager, she expanded her chops transcribing solos by David Grier and other flatpicking luminaries, and then dug deeper as a guitar performance major at Berklee College of Music. Along the way, she says, “I got really into Gillian Welch’s singing and songwriting, and through that,  I got obsessed with Dave Rawlings’ guitar style. He has such a unique voice. I was really inspired by that.”

At 23, Tuttle is a masterful flatpicker and clawhammer player (on both banjo and guitar) as well as a fine, Alison Krauss-esque singer—the International Bluegrass Music Association (IBMA) honored her as an up-and-coming instrumentalist with a 2016 Momentum Award, along with Billy Strings. Now based in Nashville, Tuttle performs solo, with the old-timey group the Goodbye Girls—one of many young bands on the scene that started at Berklee College of Music—and with her own Molly Tuttle Band.

Read more...
Jeffrey Pepper Rodgers

Date

Venue

Location

Tickets

1/24/2019 Bluefield Arts Center
Bluefield, WV
1/25/2019 Diana Wortham Theatre
Asheville, NC
1/26/2019 Outerbanks Forum for the Lively Arts
Kill Devil Hills, NC
2/28/2019 Colonial Theater
Idaho Falls, ID
3/01/2019 Myrna Loy Center for Performing Arts
Helena, MT
3/02/2019 The Rialto
Bozeman, MT
3/14/2019 Salon Series
Isothermal Community College
Spindale, NC
3/15/2019 Ashe Civic Center
West Jefferson, NC
3/20/2019 The Ark
Ann Arbor, MI
3/21/2019 Pruis Hall-Ball State University
Muncie, IN
3/23/2019 Al. Ringling Theatre
Baraboo, WI
3/24/2019 The Dakota
Minneapolis, MN
4/04/2019 Richard G. Fallon Theatre
Tallahassee, FL
5/02/2019 West Street Live! Series
Walton Arts Center
Fayetteville, AR

Label Info

Compass Records
Website

Artist Management

McLachlin Management International 
DJ McLachlin and Andrew Stokes 
615-292-0099
andrew@mclachlanmanagement.com
Website